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WarAdventureHistoryWestern

The Alamo

- The Mission That Became a Fortress! The Fortress That Became a Shrine!

The legendary true story of a small band of soldiers who sacrificed their lives in hopeless combat against a massive army in order to prevent a tyrant from smashing the new Republic of Texas.

Release Date : 1960-10-23

Language :EnglishSpanish

Adult : false

Status : Released

Production Company : Batjac ProductionsThe Alamo Company

Production Country : United States of America

Alternative Titles :

Cast

John Wayne

Character Name : Col. Davy Crockett

Original Name : John Wayne

Gender : Male

Richard Widmark

Character Name : Jim Bowie

Original Name : Richard Widmark

Gender : Male

Laurence Harvey

Character Name : Col. William Travis

Original Name : Laurence Harvey

Gender : Male

Frankie Avalon

Character Name : Smitty

Original Name : Frankie Avalon

Gender : Male

Patrick Wayne

Character Name : Capt. James Butler Bonham

Original Name : Patrick Wayne

Gender : Male

Linda Cristal

Character Name : Flaca

Original Name : Linda Cristal

Gender : Female

Joan O'Brien

Character Name : Mrs. Sue Dickinson

Original Name : Joan O'Brien

Gender : Female

Chill Wills

Character Name : Beekeeper

Original Name : Chill Wills

Gender : Male

Joseph Calleia

Character Name : Juan Seguin

Original Name : Joseph Calleia

Gender : Male

Ken Curtis

Character Name : Capt. Almeron Dickinson

Original Name : Ken Curtis

Gender : Male

Carlos Arruza

Character Name : Lt. Reyes

Original Name : Carlos Arruza

Gender : Male

Jester Hairston

Character Name : Jethro

Original Name : Jester Hairston

Gender : Male

Veda Ann Borg

Character Name : Blind Nell Robertson

Original Name : Veda Ann Borg

Gender : Female

John Dierkes

Character Name : Jocko Robertson

Original Name : John Dierkes

Gender : Male

Denver Pyle

Character Name : Thimblerig (the Gambler)

Original Name : Denver Pyle

Gender : Male

Aissa Wayne

Character Name : Lisa Angelica Dickinson

Original Name : Aissa Wayne

Gender : Male

Hank Worden

Character Name : Parson

Original Name : Hank Worden

Gender : Male

William Henry

Character Name : Dr. Sutherland

Original Name : William Henry

Gender : Male

Bill Daniel

Character Name : Col. Neill

Original Name : Bill Daniel

Gender : Male

Wesley Lau

Character Name : Emil

Original Name : Wesley Lau

Gender : Male

Chuck Roberson

Character Name : Tennesseean

Original Name : Chuck Roberson

Gender : Male

Guinn "Big Boy" Williams

Character Name : Lt. 'Irish' Finn

Original Name : Guinn "Big Boy" Williams

Gender : Male

Olive Carey

Character Name : Mrs. Dennison

Original Name : Olive Carey

Gender : Female

Ruben Padilla

Character Name : General Santa Anna

Original Name : Ruben Padilla

Gender : Male

Richard Boone

Character Name : Gen. Sam Houston

Original Name : Richard Boone

Gender : Male

Jack Pennick

Character Name : Sgt. Lightfoot (uncredited)

Original Name : Jack Pennick

Gender : Male

George Ross

Character Name : Bowie's Man (uncredited)

Original Name : George Ross

Gender : Male

J.R. Miller

Character Name : Bowie's Man (uncredited)

Original Name : J.R. Miller

Gender : Male

Danny Borzage

Character Name : Bowie's Man (uncredited)

Original Name : Danny Borzage

Gender : Male

Chuck Hayward

Character Name : Tennessean (uncredited)

Original Name : Chuck Hayward

Gender : Male

Fred Graham

Character Name : Bearded Volunteer (uncredited)

Original Name : Fred Graham

Gender : Male

Ted White

Character Name : Tennessean (uncredited)

Original Name : Ted White

Gender : Male

Carol Baxter

Character Name : Melinda (uncredited)

Original Name : Carol Baxter

Gender : Female

Joe Canutt

Character Name : Bowie's Man (uncredited)

Original Name : Joe Canutt

Gender : Male

Tap Canutt

Character Name : Bowie's Man (uncredited)

Original Name : Tap Canutt

Gender : Male

Big John Hamilton

Character Name : Bowie's Man (uncredited)

Original Name : Big John Hamilton

Gender : Male

Reviews

J

John Chard

@John Chard

2024-05-16

For what seems like 13 hours the film misses classic genre status. For 13 days these brave men hold the fort... The Alamo is not the film it should be, even after the 2004 remake (a great film that takes a reflective and thoughtful stance) we find ourselves still waiting for a blood pumping and stirring take on the folklore tale of what happened at the small missionary known as The Alamo. It's San Antonio, 1836 and General Santa Anna is marching his mighty armies into the contested territory of Texas, all that stands in his way is a small band of heroes, Jim Bowie, Davy Crockett and their trusty men who are led by the inexperienced William Travis. They must buy time in order for General Sam Houston to get an army together in which to crush Santa Anna's imposing forces. There really is no simpler way of putting it other than to say that The Alamo is an overlong misfire. Various cuts have been made to try and create an epic classic out of what was actually filmed, but neither of the cuts can succeed in making it the flowing genre piece it could have been. John Wayne directs and clearly cared about the project (with his own cash invested that was to be expected), but rumours have persisted that Cliff Lyons had to take up directing duties later in the picture, it's not hard to see why if that was the case, but various sources do poo poo this rumour, and is mostly believed to be Wayne's own work throughout the film. Wayne (having learnt from his mentor John Ford) had a great vision for the picture, and the scope is rather impressive, the recreation of The Alamo building in particular is first rate, whilst the formations of Santa Anna's armies finally rouse the picture out of its slumber. However, the high points in the picture are few and far between, the acting leaves a lot to be desired, with Wayne himself unable to let the Crockett character be anything other than the John Wayne show. Richard Widmark as Jim Bowie steadily holds his own and manages to eek out a bit of bravado interplay with Wayne and Laurence Harvey (William Travers), but outside of that there is not much to write home about. The final third just about saves the film from being a stinker, with the Academy Award for best sound richly deserved, but sadly The Alamo remains to this day a plodding dinosaur that bores when it really should be igniting the spirit. 5/10