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ComedyDramaHorror

Sister Midnight

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A newly arranged marriage. An oddball couple shoved together in a small Mumbai shack with paper-thin walls. They are awkward and alone-together. Unpredictable Uma does her best to cope with the heat, her total lack of domestic skills, nosy neighbours and her bumbling spouse until the nocturnal world of Bombay and its inhabitants lead her to face her own strange behaviors.

Release Date : 2025-03-14

Language :EnglishHindi

Adult : false

Status : Released

Production Company : Wellington FilmsBFIFilm4 ProductionsFilmgate FilmsFilm i VästGriffin PicturesSuitable Pictures

Production Country : United KingdomSwedenIndia

Alternative Titles :

Cast

Radhika Apte

Character Name : Uma

Original Name : Radhika Apte

Gender : Female

Ashok Pathak

Character Name : Gopal

Original Name : Ashok Pathak

Gender : Male

Chhaya Kadam

Character Name : Sheetal

Original Name : छाया कदम

Gender : Female

Smita Tambe

Character Name : Reshma

Original Name : Smita Tambe

Gender : Female

Navya Sawant

Character Name : Aditi

Original Name : Navya Sawant

Gender : Male

Dev Raaz

Character Name : Ramu

Original Name : Dev Raaz

Gender : Male

Chaitanya Solankar

Character Name : Sanjay

Original Name : Chaitanya Solankar

Gender : Male

Suhaas Ahuja

Character Name : Doctor

Original Name : Suhaas Ahuja

Gender : Male

Masashi Fujimoto

Character Name : Constable

Original Name : Masashi Fujimoto

Gender : Male

Daemian Greaves

Character Name : Goon

Original Name : Daemian Greaves

Gender : Male

Reviews

C

CinemaSerf

@Geronimo1967

2025-03-17

“Uma” (Radhika Apte) lives in a small tin box of an home with her new husband “Gopal” (Ashok Pathan). She hasn’t a clue how to cook their food and neither seem to have much appetite to consummate their nuptials, so the relationship is distant and she has a bit of a temper which the rather subdued gent tends to run away from (and drink). Luckily, she manages to befriend her neighbour “Sheetah” (Chhaya Kadam) and they share stories about how useless men are whilst she struggles with the boredom of life. She eventually decides to get a job as a cleaner which breaks up the inanity a little, but she also starts to find herself drawn more and more to the animal kingdom. A passing encounter with a goat, then a bird, starts to see her question her almost vampiric behaviour. When an even more curiously tragic incident occurs, the story becomes increasingly surreal and the lines between truth and fiction become almost macabrely blurred. Apte is quite entertaining here as her aggressive and slightly stand-offish character becomes more eccentrically engaging and Pathak also delivers quite well as the hapless husband, but I found the story all too weak and repetitive for too long before the last ten minutes or so finally raise some more interesting aspects of superstition, perhaps even witchcraft, and shines a light a little on the vagaries of her tight knit community who are quick to make snap judgements. Though it’s not graphic, it’s not for the squeamish and it’s those few scenes where most of the dark comedy kicks in, but again there weren’t really enough of them to sustain this. It has it’s moments and is worth a watch for “Uma” wandering lonely as a goatherd through the city beating a mop and pail, but it will look just as good on the telly.