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Drama

After the Curfew

- Beyond the Curfew, Lies the War Within.

A hero of revolution returns to civilian life to find the new society very different from the ideals he fought for.

Release Date : 1954-05-01

Language :Indonesian

Adult : false

Status : Released

Production Company : PERFINIPT Persari Films

Production Country : Indonesia

Alternative Titles :

Cast

A.N. Alcaff

Character Name : Iskandar

Original Name : A.N. Alcaff

Gender : Male

Netty Herawaty

Character Name : Norma

Original Name : Netty Herawaty

Gender : Female

Bambang Hermanto

Character Name : Puja

Original Name : Bambang Hermanto

Gender : Male

Titien Sumarni

Character Name : Ida

Original Name : Titien Sumarni

Gender : Female

Aedy Moward

Character Name : Adlin

Original Name : Aedy Moward

Gender : Male

R.D. Ismail

Character Name : Gunawan

Original Name : R.D. Ismail

Gender : Male

Dhalia

Character Name : Laila

Original Name : Dhalia

Gender : Female

Awaludin

Character Name : Gafar

Original Name : Awaludin

Gender : Male

Abdul Hadi

Character Name : Norma's Father

Original Name : Abdul Hadi

Gender : Male

Wahid Chan

Character Name :

Original Name : Wahid Chan

Gender : Male

S Taharnunu

Character Name :

Original Name : S Taharnunu

Gender : Male

Lukman Jusuf

Character Name :

Original Name : Lukman Jusuf

Gender : Male

Jack John

Character Name : Man at Restaurant (uncredited)

Original Name : Jack John

Gender : Male

Muni Cader

Character Name : Man Playing Billiards (uncredited)

Original Name : Muni Cader

Gender : Male

Astaman

Character Name :

Original Name : Astaman

Gender : Male

Reviews

M

mikeips8

@mikeips8

2021-06-23

Lewat Djam Malam (After the Curfew) is a passionate work looking directly at a crucial moment of conflict in Indonesian history: the aftermath of the four-year Republican revolution which brought an end to Dutch rule. This is a visually and dramatically potent film about anger and disillusionment, about the dream of a new society cheapened and misshapen by government repression on the one hand and bourgeois complacency on the other. - WorldCinemaFoundation.org