DramaHistory

The Lion in Winter

- What family doesn’t have its ups and downs?

Henry II and his estranged queen battle over the choice of an heir.

Release Date : 1968-10-30

Language :English

Adult : false

Status : Released

Production Company : AVCO Embassy PicturesHaworth Productions

Production Country : United Kingdom

Alternative Titles :

Cast

Character Name : Henry II

Original Name : Peter O'Toole

Gender : Male

Character Name : Eleanor of Aquitaine

Original Name : Katharine Hepburn

Gender : Female

Character Name : Richard

Original Name : Anthony Hopkins

Gender : Male

Character Name : Geoffrey

Original Name : John Castle

Gender : Male

Character Name : John

Original Name : Nigel Terry

Gender : Male

Character Name : Philip II

Original Name : Timothy Dalton

Gender : Male

Character Name : Alais

Original Name : Jane Merrow

Gender : Female

Character Name : William Marshall

Original Name : Nigel Stock

Gender : Male

Character Name : Bishop of Durham

Original Name : O.Z. Whitehead

Gender : Male

Character Name : Queen Eleanor's Guard

Original Name : Kenneth Ives

Gender : Male

Character Name : Strolling Player

Original Name : Kenneth Griffith

Gender : Male

Character Name : Strolling Player

Original Name : Henry Woolf

Gender : Male

Character Name : Strolling Player

Original Name : Karol Hagar

Gender : Male

Character Name : Strolling Player

Original Name : David Griffith

Gender : Male

Reviews

John Chard

@John Chard

2024-05-16

I marvel at you after all these years. Still like a democratic drawbridge: going down for everybody. The Lion in Winter is directed by Anthony Harvey and adapted to screenplay from his own play by James Goldman. It stars Peter O'Toole, Katharine Hepburn, Jane Merrow, John Castle, Anthony Hopkins, Timothy Dalton, Nigel Stock and Nigel Terry. Music is by John Barry and cinematography by Douglas Slocombe. 1183 A.D.: King Henry II's (Toole) three sons all want to inherit the throne, but he won't commit to a choice. His sons and his wife, Eleanor of Aquitaine (Hepburn), variously plot to force him into a choice - but he himself has is own agendas as well. An utter lesson in theatrical tropes shifted to the screen with brilliant results. Set over the Christmas period, Henry II has called all the family together to the family castle in France, for what proves to be a blindingly sharp game of human chess. Essentially it's one giant family squabble of huge political importance, a conniving dynasty war that could shape history. The script sizzles with literate smarts and firey dialogue, with performances from the top draw, while costuming, set design and Barry's melancholy score seal the deal for what is a true genre classic. 9/10

CinemaSerf

@Geronimo1967

2022-06-21

Katherine Hepburn is simply superb in this depiction of the truly dysfunctional relationship between Eleanor of Aquitaine, the estranged queen of England's King Henry II and her spouse. Peter O'Toole reprises his characterisation from "Becket" (1964), and together they spar and spat with aplomb. Aided by a wonderful screenplay from James Goldman that is full of sarcasm, pith and some wonderfully effective (and brutal) put-downs, we play through this most bizarre of family dynamics. It all centres around a Christmas court for which the Queen is released from her Salisbury house arrest to join the couple's three sons: the ambitious, but sexually ambiguous Richard (Anthony Hopkins), the King's favourite, but pretty weak John (Nigel Terry) and the clever, silent-type, Geoffrey (a lovely, understated, effort from John Castle) at Chinon, where they will also be joined by the young and naive Philippe II, King of France (Timothy Dalton). Director Anthony Harvey now presents us with a stylish and quickly paced illustration of just how this devious, untrustworthy and potentially murderous family were prepared to conspire and manoeuvre to ensure who, eventually, succeed to the English throne. Hepburn and O'Toole have a distinct and effective chemistry between them. She has the best lines, I think, and delivers them with a razor sharp wit - you are never quite certain what either she, or her equally and skilfully manipulative husband are plotting as the sons prove to be pretty selfish, fickle and sometimes quite imbecilic. The film looks great, the sets and costumes are spot on and the whole thing offers an excellent appraisal of the antics of a collection of shrewd 12th century despots.