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DramaRomance

The Face of Love

- She lost her perfect love... until she found his perfect double.

A widow falls for a guy who bears a striking resemblance to her late husband.

Release Date : 2013-10-25

Language :English

Adult : false

Status : Released

Production Company : Mockingbird Pictures

Production Country : United States of America

Alternative Titles :

Cast

Annette Bening

Character Name : Nikki Lostorm

Original Name : Annette Bening

Gender : Female

Ed Harris

Character Name : Garret Mathis / Tom Young

Original Name : Ed Harris

Gender : Male

Robin Williams

Character Name : Roger Stillman

Original Name : Robin Williams

Gender : Male

Jess Weixler

Character Name : Summer

Original Name : Jess Weixler

Gender : Female

Amy Brenneman

Character Name : Ann

Original Name : Amy Brenneman

Gender : Female

Linda Park

Character Name : Jan

Original Name : Linda Park

Gender : Female

Jeffrey Vincent Parise

Character Name : Nicholas

Original Name : Jeffrey Vincent Parise

Gender : Male

Eli Vargas

Character Name : Bell Boy

Original Name : Eli Vargas

Gender : Male

Horacio Cerutti

Character Name : Gardener

Original Name : Horacio Cerutti

Gender : Male

Clyde Kusatsu

Character Name : Sushi Chef

Original Name : Clyde Kusatsu

Gender : Male

Miguel Pérez

Character Name : Bartender

Original Name : Miguel Pérez

Gender : Male

Reviews

T

tmdb28039023

@tmdb28039023

2022-09-03

I never thought I’d use the term Idiot Plot to refer to a film starring Annette Bening, Ed Harris, and Robin Williams, but then I’d never watched The Face of Love. Nikki (Bening) is a widow who is still pining for her dead husband Garrett (Ed Harris) five years after he drowned on a beach in Mexico. One day she meets Tom (also Harris), who looks so much like her late husband – complete with the exact same tone of voice and male pattern baldness – that the only possible explanation is that Garrett and Tom were twins separated at birth (I would also accept cloning, at least as the movies usually (mis)understand it). The movie, however, offers no explanation for the fact that Tom is a perfect replica – down to each and every single wrinkle – of Garrett (or viceversa), other than “you know what they say. We all have a double somewhere in the world.” Nikki becomes romantically involved with Tom, but never even bothers to mention his uncanny resemblance to her defunct spouse. Why not? It would be the perfect icebreaker, and Tom would know it’s not just a pick-up line as soon as Nikki shows her a picture of Garrett. She is also concerned, more reasonably so given the circumstances, by what people, especially her daughter Summer (Jess Weixler) and neighbor Roger (Williams), might think about her dating someone who appears to be an alternate reality version of Garrett. This actually leads me to believe that TFoL would have worked better as a comedy, with Nikki going out of her way to talk Tom into an extreme makeover – the movie, nevertheless, is hell-bent on being a drama, and in that sense it would have been well advised to have Tom played by an actor who isn’t Harris but can reasonably pass for him (John Malkovich, maybe?). Given the quality and credentials of the stars, I have no choice but to point an accusatory finger at director Arie Posin and co-writers Posin and Matthew McDuffie, who manage to get wrong even what they get right; case in point, Williams gives the film’s best performance in what is essentially a throwaway role – one would have expected Roger, who was Garrett’s friend and has feelings for Nikki, to at least attempt to drive a wedge between the lovers, but he and Tom never even come face to face (again, if this were a comedy, and I’m more and more convinced it should have been one, Roger would have gone to hilarious extremes to shape himself in Garrett’s/Tom’s likeness to win Nikki over. Oh well).