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WesternDrama

Gunfight at the O.K. Corral

- The Wildest Gunfight in the History of the West!

Lawman Wyatt Earp and outlaw Doc Holliday form an unlikely alliance which culminates in their participation in the legendary Gunfight at the O.K. Corral.

Release Date : 1957-05-30

Language :English

Adult : false

Status : Released

Production Company : Wallis-Hazen Inc.Hal Wallis ProductionsParamount Pictures

Production Country : United States of America

Alternative Titles :

Cast

Burt Lancaster

Character Name : Marshal Wyatt Earp

Original Name : Burt Lancaster

Gender : Male

Kirk Douglas

Character Name : Dr. John 'Doc' Holliday

Original Name : Kirk Douglas

Gender : Male

Jo Van Fleet

Character Name : Kate Fisher

Original Name : Jo Van Fleet

Gender : Female

Rhonda Fleming

Character Name : Laura Denbow

Original Name : Rhonda Fleming

Gender : Female

John Ireland

Character Name : Johnny Ringo

Original Name : John Ireland

Gender : Male

Lyle Bettger

Character Name : Ike Clanton

Original Name : Lyle Bettger

Gender : Male

Frank Faylen

Character Name : Sheriff Cotton Wilson

Original Name : Frank Faylen

Gender : Male

Earl Holliman

Character Name : Deputy Sheriff Charles 'Charlie' Bassett

Original Name : Earl Holliman

Gender : Male

Ted de Corsia

Character Name : Shanghai Pierce

Original Name : Ted de Corsia

Gender : Male

Dennis Hopper

Character Name : Billy Clanton

Original Name : Dennis Hopper

Gender : Male

Whit Bissell

Character Name : 'Tombstone Epitaph' Editor John P. Clum

Original Name : Whit Bissell

Gender : Male

George Mathews

Character Name : Griffin Saloonkeeper John Shanssey

Original Name : George Mathews

Gender : Male

John Hudson

Character Name : Virgil Earp

Original Name : John Hudson

Gender : Male

DeForest Kelley

Character Name : Morgan Earp

Original Name : DeForest Kelley

Gender : Male

Martin Milner

Character Name : James 'Jimmy' Earp

Original Name : Martin Milner

Gender : Male

Kenneth Tobey

Character Name : Bat Masterson

Original Name : Kenneth Tobey

Gender : Male

Lee Van Cleef

Character Name : Ed Bailey

Original Name : Lee Van Cleef

Gender : Male

Joan Camden

Character Name : Betty Earp

Original Name : Joan Camden

Gender : Female

Olive Carey

Character Name : Mrs. Clanton

Original Name : Olive Carey

Gender : Female

Brian G. Hutton

Character Name : Rick

Original Name : Brian G. Hutton

Gender : Male

Nelson Leigh

Character Name : Mayor Kelly

Original Name : Nelson Leigh

Gender : Male

Jack Elam

Character Name : Tom McLowery

Original Name : Jack Elam

Gender : Male

Don Castle

Character Name : Drunk Cowboy in Longbranch Saloon

Original Name : Don Castle

Gender : Male

Franklyn Farnum

Character Name : Barfly (uncredited)

Original Name : Franklyn Farnum

Gender : Male

Charles Herbert

Character Name : Tommy Earp (uncredited)

Original Name : Charles Herbert

Gender : Male

Kenner G. Kemp

Character Name : Croupier (uncredited)

Original Name : Kenner G. Kemp

Gender : Male

Colin Kenny

Character Name : Barfly (uncredited)

Original Name : Colin Kenny

Gender : Male

Bert Stevens

Character Name : Party Guest (uncredited)

Original Name : Bert Stevens

Gender : Male

Arthur Tovey

Character Name : Barfly (uncredited)

Original Name : Arthur Tovey

Gender : Male

Leslie Sketchley

Character Name : Barfly (uncredited)

Original Name : Leslie Sketchley

Gender : Male

John Benson

Character Name : Stage Driver (uncredited)

Original Name : John Benson

Gender : Male

Frank Hagney

Character Name : Bartender (uncredited)

Original Name : Frank Hagney

Gender : Male

Richard Reeves

Character Name : Pierce's Foreman (uncredited)

Original Name : Richard Reeves

Gender : Male

Charles Fogel

Character Name : Barfly (uncredited)

Original Name : Charles Fogel

Gender : Male

Raoul Freeman

Character Name : Party Guest (uncredited)

Original Name : Raoul Freeman

Gender : Male

Stuart Hall

Character Name : Party Guest (uncredited)

Original Name : Stuart Hall

Gender : Male

Reviews

J

John Chard

@John Chard

2024-05-16

Doc and Wyatt. The Gunfight at the O.K. Corral, Wednesday, October 26, 1881, gets an all star glossy Hollywood telling. Directed by John Sturges and adapted by Leon Uris from an article written by George Scullin. It stars Burt Lancaster, Kirk Douglas, Rhonda Fleming, Jo Van Fleet, John Ireland and Lyle Bettger. Music is by Dimitri Tiomkin and cinematography by Charles B. Lang Junior. I don't want any part of him. I don't even like him. Actually The Gunfight at the O.K. Corral as a title is something of a bum steer, for Sturges' two hour movie gives up just over five minutes to the actual event that continues to fascinate over 130 years later. In fact, for such a glorious sounding title, it's arguably surprising that there is very little action in the movie. For what unfolds in that two hour running time is what director (Sturges would be bemused by its success and ten years later took another stab at the legend and made Hour of the Gun) and leading actors agreed was a very talky movie, the emphasis is on a friendship, a love really, between John Henry "Doc" Holliday and Wyatt Berry Stapp Earp. This is one of the Western genre's greatest "buddy-buddy" movies. Listen, preacher, being here is causing me a lot of embarrassment. Some people are even taking me for a lawman. In spite of its talky nature and being very much a "town" Western, the film was hugely successful and became a leading forerunner for all star Westerns. It wasn't all sweetness and light, mind. In the beginning Douglas had already turned down the role of Earp before accepting the part of Holliday (Bogart was close, Palance and Widmark also considered) and Lancaster had to be "bribed" to take on the role of Wyatt (being pretty vociferous about the talky nature of the screenplay). The two leading men were initially at odds with each other, but they would form a respectful friendship from here on in and their chemistry as Doc and Wyatt is why the film succeeds as a "literate" piece. All gunfighters are lonely. They live in fear. They die without a dime, a woman or a friend. It has a mixed reputation amongst Western aficionados, which is understandable. Some of the dialogue is cheesy and the likes of Fleming and DeForest Kelley are in turn badly written and under used. There's also the historical fudging of the story and the sparsity of landscape photography, the latter of which a crime given it's a VistaVision Technicolor production. The town set designs often look artificial, a problem since 90% of the picture is set to town background, but if viewed as a story of a friendship set to the famous shoot-out, it strikes all the right notes; including Frankie Laine's warbling of the clippy cloppy catchy title tune. It should have been titled Doc and Wyatt, though. 8/10

C

CinemaSerf

@Geronimo1967

2022-06-25

Sometimes colour photography didn't really help a production, and I think this film is one such instance. The plot centres on renowned peace officer Wyatt Earp (Burt Lancaster) who decides to head back to Tombstone and take up with his brothers. His arrival pitches him against local card-sharp, and deadly gun slinger, "Doc" Holliday (Kirk Douglas) who has a serious, terminal, drink problem. The antics of the lawless Clanton gang cause the two to hook up, and when the younger Jimmy Earp (Martin Milner) is gunned down by mistake, the battle lines are drawn for the now infamous shoot-out. Somehow, though, this just doesn't ever catch fire. There is virtually no chemistry between Lancaster and Douglas; the dialogue is sluggish, the romances clutter up the plot especially the on/off/on again one between Holliday and "Kate" (Jo Van Fleet) and John Ireland exudes precisely no menace as the ill-fated Johnny Ringo. It is too long and far too slowly paced with little enough action until the denouement which, admittedly, has a real-time feel to it with some added acrobatics and a bit of pyrotechnics as the gunfight kills just about everyone. I found the Holliday/Ringo grudge to be the more interesting, but the whole film just lacked any sense of the real life grittiness and brutality these folks lived in. The production is certainly slick and professional, but Dimitri Tiomkin's score reminded me more of "55 Days in Peking" meets the "Alamo" with some unremarkable Frankie Laine songs thrown in too - and I felt the whole thing was all just a bit too sterile and underwhelming.