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ThrillerMysteryDrama

Chase a Crooked Shadow

- The Man Hunts the Girl... The Girl Hunts the Man...

A woman who lives in Spain has trouble convincing anybody that a complete stranger has taken her dead brother's identity.

Release Date : 1958-01-16

Language :English

Adult : false

Status : Released

Production Company : Associated Dragon

Production Country : United Kingdom

Alternative Titles :

Cast

Richard Todd

Character Name : Williams, alias Ward McKenzie Prescott Jr.

Original Name : Richard Todd

Gender : Male

Anne Baxter

Character Name : Kimberley Prescott

Original Name : Anne Baxter

Gender : Female

Herbert Lom

Character Name : Police Commissar Vargas

Original Name : Herbert Lom

Gender : Male

Faith Brook

Character Name : Elaine Whitman

Original Name : Faith Brook

Gender : Female

Alan Tilvern

Character Name : Carlos

Original Name : Alan Tilvern

Gender : Male

Alexander Knox

Character Name : Chandler Bridson

Original Name : Alexander Knox

Gender : Male

Douglas Fairbanks Jr.

Character Name : Self - Epilogue (uncredited)

Original Name : Douglas Fairbanks Jr.

Gender : Male

Thelma D'Aguiar

Character Name : Maria

Original Name : Thelma D'Aguiar

Gender : Male

Reviews

J

John Chard

@John Chard

2024-05-16

Who is hunting who? Chase a Crooked Shadow is directed by Michael Anderson and written by David D. Osborn and Charles Sinclair. It stars Richard Todd, Anne Baxter, Herbert Lom and Faith Brook. Music is scored by Matyas Seiber, with additional guitar by Julian Bream, and cinematography by Erwin Hillier. A man shows up at Kimberley Prescott's Spanish villa claiming to be her brother. Trouble is is that her brother, Ward Prescott, died in a car accident a year ago... The core formula for Chase a Crooked Shadow has been well mined over the years, only recently I myself viewed the quite excellent Hammer Films Production of Paranoiac, which treads the same ground as Anderson's movie, but there's a filmic style here that adds further atmosphere to the moody mysterious tone of the narrative. Thus, in spite of the absurdities and stretching of credulity, this is well worth seeking out. Anderson carefully builds the suspense, ensuring that what we think we know may in fact not be the case. The twists and jolts are deftly handled and the finale is a delightful bolt from the blue. Along the way we are treated to a noirish canvas, where even though the film is shot on location on the Costa Brava, there's a Gothic sheen pretty much every where you look. The interior of the villa is complete with Grandfather clock, iron gate doors, odd light shades, statuettes and one of those staircases with balustrade, all of which is given maximum shadow effects by Hillier. The outside courtyard also serves the uneasy mood well, as does the stone beach house at the bottom of the hill, it should be idyllic, but fret and discord dwell there as well. Cast are most effective, some have called Todd too wooden, but he needs to be restrained here, he is after all playing the character's cards close to his chest. Baxter, looking positively lovely, handles the mental disintegration process with great skill, Brook really exudes a Mrs. Danvers like menace purely with cold dialogue delivery and an icy stare, while Lom has authoritative presence as the police man being pulled both ways of the mystery. Top performers doing justice to a fine mystery story that is in turn offering some visual pleasures too. 7.5/10