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Drama

The Company She Keeps

- Emotion swept them like a tidal wave!

A lady con artist sets out to steal her parole officer's fiance.

Release Date : 1951-01-27

Language :English

Adult : false

Status : Released

Production Company : RKO Radio Pictures

Production Country : United States of America

Alternative Titles :

Cast

Lizabeth Scott

Character Name : Joan Wilburn

Original Name : Lizabeth Scott

Gender : Female

Jane Greer

Character Name : Diane Stuart aka Mildred Lynch

Original Name : Jane Greer

Gender : Female

Dennis O'Keefe

Character Name : Larry Collins

Original Name : Dennis O'Keefe

Gender : Male

Fay Baker

Character Name : Tilly Thompson

Original Name : Fay Baker

Gender : Female

John Hoyt

Character Name : Judge Kendall

Original Name : John Hoyt

Gender : Male

James Bell

Character Name : Mr. Neeley

Original Name : James Bell

Gender : Male

Don Beddoe

Character Name : Detective Jamieson

Original Name : Don Beddoe

Gender : Male

Bert Freed

Character Name : Smitty (plainclothesman)

Original Name : Bert Freed

Gender : Male

Irene Tedrow

Character Name : Mrs. Seeley

Original Name : Irene Tedrow

Gender : Female

Marjorie Wood

Character Name : Mrs. Haley

Original Name : Marjorie Wood

Gender : Female

Marjorie Crossland

Character Name : Mrs. Griggs

Original Name : Marjorie Crossland

Gender : Female

Virginia Farmer

Character Name : Mrs. Harris

Original Name : Virginia Farmer

Gender : Female

Beau Bridges

Character Name : Obie - Boy at Train Station (uncredited)

Original Name : Beau Bridges

Gender : Male

Kathleen Freeman

Character Name : Jessie - Parolee with Child (uncredited)

Original Name : Kathleen Freeman

Gender : Female

Jeff Bridges

Character Name : Infant at Train Station (uncredited)

Original Name : Jeff Bridges

Gender : Male

Yvonne Rob

Character Name :

Original Name : Yvonne Rob

Gender : Female

Theresa Harris

Character Name :

Original Name : Theresa Harris

Gender : Female

Hilda Plowright

Character Name :

Original Name : Hilda Plowright

Gender : Female

Cosmo Sardo

Character Name :

Original Name : Cosmo Sardo

Gender : Male

Virginia Vincent

Character Name : Annabelle Bird (uncredited)

Original Name : Virginia Vincent

Gender : Female

Reviews

J

John Chard

@John Chard

2024-05-16

The Parole Paranoia. The Company She Keeps is directed by John Cromwell and written by Ketti Frings. It stars Lizabeth Scott, Jane Greer and Dennis O’Keefe. Music is by Leigh Harline and cinematography by Nicholas Musuraca. Released from prison after serving two years, Mildred Lynch (Greer) changes her name to Diane Stuart and sets out for a new start in Los Angeles. Assigned a friendly parole officer, Joan Willburn (Scott), who finds Diane work in a local hospital, Diane struggles to take to Joan and suffers from paranoia as to how the public are going to perceive her. Things get considerably murkier when Diane begins a love affair with Joan’s boyfriend, Larry Collins (O’Keefe)… A waste of potential, a film featuring two noir darlings and one tough guy noir actor should have more about it than merely playing out as a weak willed melodrama. The annoyance is further compounded by the fact that ace cinematographer Musuraca works his magic for many passages of the story, putting tightly fitted noir visuals to scenes involving prison cells and the darker recesses’ of the hospital where Diane works. In fact the last twenty minutes, guff laden ending not withstanding, is worth time spent with picture purely because of Musuraca. It’s not as if the acting is bad, where even though I agree wholeheartedly with those who think Greer and Scott should have swapped roles, both the girls do good work here, as does O’Keefe, who has the problem of having both Greer and Scott lusting after him! But nobody is done any favours by Harline’s score, the usually skilled composer lays over the top of proceedings a score that would be more at home in a 1940s romantic comedy. Where there should be intelligent observations on the justice system, and the problems of parolees fitting back into society, there is instead a love triangle that lacks any suspense or a semblance of edginess, the writer evidently afraid to spice things up and do justice to the noir potential of the idea. Fans of the leading ladies and Musuraca should just about find it watchable, but frustration is almost certainly guaranteed as well. 5/10