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DramaRomance

Valentino

- The legitimate behind the scenes story of the man so many women loved

Italian immigrant Rudolph Valentino makes it big in silent Hollywood, but he ends up struggling between his career and the woman he loves.

Release Date : 1951-03-08

Language :English

Adult : false

Status : Released

Production Company : Edward Small ProductionsColumbia Pictures

Production Country : United States of America

Alternative Titles :

Cast

Anthony Dexter

Character Name : Rudolph Valentino

Original Name : Anthony Dexter

Gender : Male

Eleanor Parker

Character Name : Joan Carlisle / Sarah Gray

Original Name : Eleanor Parker

Gender : Female

Richard Carlson

Character Name : William 'Bill' King

Original Name : Richard Carlson

Gender : Male

Patricia Medina

Character Name : Lila Reyes

Original Name : Patricia Medina

Gender : Female

Joseph Calleia

Character Name : Luigi Verducci

Original Name : Joseph Calleia

Gender : Male

Dona Drake

Character Name : Maria Torres

Original Name : Dona Drake

Gender : Female

Lloyd Gough

Character Name : Eddie Morgan

Original Name : Lloyd Gough

Gender : Male

Otto Kruger

Character Name : Mark Towers

Original Name : Otto Kruger

Gender : Male

Reviews

C

CinemaSerf

@Geronimo1967

2022-04-04

"I believe that my success is based on the fact that I have never appeared twice with the same leading lady!" Anthony Dexter is really poor in this largely fictitious biopic of screen legend Rudolph Valentino. Lewis Allen's lacklustre and wordy depiction of the latter stage lives and loves of this most iconic of actors is actually quite boring at times. He woos the fictional "Joan Carlisle" (Eleanor Parker) and most of the film follows their turbulent relationship's ups and downs with only their mutual respect and fondness for director, and her husband, "Bill King" (Richard Carlson), drawing them together without sparks - a scenario only made worse after they made one hugely successful film together. Come to think on it, Carlsen is maybe the only thing in this that comes away with any sense of credibility. It is very stage bound in presentation, and the melodrama isn't really helped by quite an intrusive score from Heinz Roemheld who seriously overdoes the violins at times. A man of his standing, with a reputation for being as ruthless as he was a Lothario, really did deserve better than this slushy mess that ends as it runs - disappointingly. Pity.