Music

I'll Turn to You

-

When a soldier returns from the Far East after the war, he and his wife have to adjust to life at home.

Release Date : 1946-06-17

Language :English

Adult : false

Status : Released

Production Company : Butcher's Film Service

Production Country : United Kingdom

Alternative Titles :

Cast

Terry Randall

Character Name : Aileen Meredith

Original Name : Terry Randall

Gender : Female

Don Stannard

Character Name : Roger Meredith

Original Name : Don Stannard

Gender : Male

Harry Welchman

Character Name : Mr. Collins

Original Name : Harry Welchman

Gender : Male

Ann Codrington

Character Name : Mrs. Collins

Original Name : Ann Codrington

Gender : Male

George Merritt

Character Name : Cecil Joy

Original Name : George Merritt

Gender : Male

Irene Handl

Character Name : Mrs. Gammon

Original Name : Irene Handl

Gender : Female

Ellis Irving

Character Name : Henry Browning

Original Name : Ellis Irving

Gender : Male

Nicolette Roeg

Character Name : Flora Fenton

Original Name : Nicolette Roeg

Gender : Female

Anthony Pendrell

Character Name : Dick Fenton

Original Name : Anthony Pendrell

Gender : Male

Leslie Perrins

Character Name : Chigwell

Original Name : Leslie Perrins

Gender : Male

John Henry Allen

Character Name : Estate Agent

Original Name : John Henry Allen

Gender : Male

Grace Arnold

Character Name : Nurse

Original Name : Grace Arnold

Gender : Female

Davina Whitehouse

Character Name : Telephonist

Original Name : Davina Whitehouse

Gender : Female

Melville Crawford

Character Name : Bullen

Original Name : Melville Crawford

Gender : Male

Arthur Denton

Character Name : Commissionaire

Original Name : Arthur Denton

Gender : Male

Jonathan Field

Character Name : Brierson

Original Name : Jonathan Field

Gender : Male

Michael Gainsborough

Character Name : Office Boy

Original Name : Michael Gainsborough

Gender : Male

Cameron Hall

Character Name : The Neighbour

Original Name : Cameron Hall

Gender : Male

Hamilton Keene

Character Name : Hotel Receptionist (uncredited)

Original Name : Hamilton Keene

Gender : Male

David Keir

Character Name : Estate Agent

Original Name : David Keir

Gender : Male

Olive Kirby

Character Name : Office Girl

Original Name : Olive Kirby

Gender : Male

Evelyn Laye

Character Name : Herself

Original Name : Evelyn Laye

Gender : Female

Sandy Macpherson

Character Name : Himself

Original Name : Sandy Macpherson

Gender : Male

Aubrey Mallalieu

Character Name : Managing Director

Original Name : Aubrey Mallalieu

Gender : Male

John McHugh

Character Name : Orchestral Soloist

Original Name : John McHugh

Gender : Male

Janet M. Morrison

Character Name : Mrs. Jordan

Original Name : Janet M. Morrison

Gender : Male

Peter Penn

Character Name : Fellowes

Original Name : Peter Penn

Gender : Male

Albert Sandler

Character Name : Leader, Palm Court Orchestra

Original Name : Albert Sandler

Gender : Male

Jack Vyvyan

Character Name : Stage Door Keeper

Original Name : Jack Vyvyan

Gender : Male

Sylvia Welling

Character Name : Herself

Original Name : Sylvia Welling

Gender : Female

Hal Gordon

Character Name : Taxi Driver (uncredited)

Original Name : Hal Gordon

Gender : Male

Reviews

C

CinemaSerf

@Geronimo1967

2023-11-01

I suppose this scenario must have played out in quite a few households across the country after the end of WWII. “Roger” (Don Stannard) returns home to his loving wife “Aileen” (Terry Randall) and pretty much instantly struggles to settle down into his new, rather pedestrian, existence. They have very little money and he sees his wife (innocently) associating with friends like “Henry” (Ellis Irving) who can give her so much more than he can. It’s this frustration that leads him to abscond - but a chance meeting with his supposed foe might just help him get his priorities straight. It’s a very gently paced, rather contrived, story this with far too much dialogue: if she called him ‘darling’ one more time… and frankly it really struggles to sustain ninety-odd minutes. Indeed the last fifteen of those is set at a concert and luckily the fine dulcets of a Welsh choir and soloist John McHugh keep our attention while the melodrama reaches it’s all-too predicable conclusion. It was made immediately after the end of the war, when sentiment would have been very deep and perhaps that gave it an added resonance at the time. Now, though, it’s all rather weak and unremarkably performed by two stars who don’t really shine.