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ComedyAdventureMusic

Leningrad Cowboys Meet Moses

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After years of fame and misfortune in Mexico, the members of the Leningrad Cowboys decide to return to their native village. Their former manager Vladimir, who now calls himself Moses lead them on their way home.

Release Date : 1994-02-17

Language :English

Adult : false

Status : Released

Production Company : SputnikPyramide ProductionsLa Sept CinémaPandora Film

Production Country : FinlandFranceGermany

Alternative Titles :

Cast

Twist-Twist Erkinharju

Character Name : Leningrad Cowboys

Original Name : Twist-Twist Erkinharju

Gender : Male

Ben Granfelt

Character Name : Leningrad Cowboys

Original Name : Ben Granfelt

Gender : Male

Sakke Järvenpää

Character Name : Leningrad Cowboys

Original Name : Sakke Järvenpää

Gender : Male

Jore Marjaranta

Character Name : Leningrad Cowboys

Original Name : Jore Marjaranta

Gender : Male

Ekke Niiva

Character Name : Leningrad Cowboys

Original Name : Ekke Niiva

Gender : Male

Jyri Närvänen

Character Name : Leningrad Cowboys

Original Name : Jyri Närvänen

Gender : Male

Pemo Ojala

Character Name : Leningrad Cowboys

Original Name : Pemo Ojala

Gender : Male

Silu Seppälä

Character Name : Leningrad Cowboys

Original Name : Silu Seppälä

Gender : Male

Mauri Sumén

Character Name : Leningrad Cowboys

Original Name : Mauri Sumén

Gender : Male

Mato Valtonen

Character Name : Leningrad Cowboys

Original Name : Mato Valtonen

Gender : Male

Matti Pellonpää

Character Name : Moses / Vladimir

Original Name : Matti Pellonpää

Gender : Male

Kari Väänänen

Character Name : The Mute

Original Name : Kari Väänänen

Gender : Male

André Wilms

Character Name : Lazar / Johnson / Elijah

Original Name : André Wilms

Gender : Male

Nicky Tesco

Character Name : American Cousin

Original Name : Nicky Tesco

Gender : Male

Jacques Blanc

Character Name : Owner of Bingo Parlour

Original Name : Jacques Blanc

Gender : Male

Nicole Helies

Character Name : Bingo Hostess

Original Name : Nicole Helies

Gender : Female

Kirsi Tykkyläinen

Character Name : Singer of Babylon

Original Name : Kirsi Tykkyläinen

Gender : Female

Aki Kaurismäki

Character Name : Factory Worker Imitating Chaplin (uncredited)

Original Name : Aki Kaurismäki

Gender : Male

Reviews

C

CRCulver

@CRCulver

2021-06-23

This is a sequel to Leningrad Cowboys Go America of four years before, where Finnish auteur Aki Kaurismäki introduced one of his most absurd creations: an extravagantly quiffed "Russian" rock band from the wilds of Siberia, supposedly the worst band in the world, played by Finnish actors who speak only Finnish and then broken English to each other. That first film was a sort of road movie, where the Leningrad Cowboys played a series of ramshackle bars across the American South while headed towards Mexico to perform at a wedding. Unbeknownst to them, the village idiot Igor (Kari Väänänen), who aspires to be one of them, has arrived in the United States too in pursuit, and their manager Vladimir (played by the late, great Matti Pellonpää) exploited them all the way by taking their earnings for his own luxurious desires. Leningrad Cowboys Meet Moses follows closely on the action of the first film, as Vladimir reappears after an unexplained absence, having become an extravagantly bearded religious fanatic and calling himself Moses. Their former manager wants to lead the band, who have become stranded in Mexico, back to their home in Siberia. This sequel has the same general format as its predecessor, though this time the road trip is from France back through Europe to the Russian border. Vladimir has stolen something important, and French actor André Wilms plays an American CIA agent pursuing him on the road back home (his thick French accent again clashing with his character's supposed origin). Leningrad Cowboys Meet Moses is among Kaurismäki's worst films, and one of those sequels that should have never been made. Already with the first film one was just as likely to sigh at the lameness of it all as chuckle at the gags. The sequel, however, is a much more somber film than its predecessor, which mean there are even less gags, and virtually every scene feels like milking a formula. While it might be worth a try if you are a committed fan of Kaurismäki's body of work, I would be very reluctant to recommend this (or even the vastly superior LENINGRAD COWBOYS GO America) to a general audience.