Yoogan

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When their friends start dying mysteriously, David and Vinay believe it to be the handiwork of a ghost. However, the cop investigating the case seems to think otherwise and goes after them. What is the mystery here?

Release Date : 2015-04-24

Language :Tamil

Adult : false

Status : Released

Production Company :

Production Country :

Alternative Titles :

Cast

Yashmith

Character Name : Vinay

Original Name : Yashmith

Gender : Male

Sakshi Agarwal

Character Name : Pooja

Original Name : Sakshi Agarwal

Gender : Female

Siddhu GRN

Character Name : David

Original Name : Siddhu GRN

Gender : Male

Pradeep Balaji

Character Name : Amir

Original Name : Pradeep Balaji

Gender : Male

Shyam Kirthivasan

Character Name : Rahul

Original Name : Shyam Kirthivasan

Gender : Male

Manoj Nandam

Character Name : Arun

Original Name : Manoj Nandam

Gender : Male

Tarun Chakravarthy

Character Name : ACP

Original Name : Tarun Chakravarthy

Gender : Male

Suresh Pillai

Character Name : Raghu

Original Name : Suresh Pillai

Gender : Male

Venkatrenga Gupta

Character Name : CEO

Original Name : Venkatrenga Gupta

Gender : Male

Reviews

T

timesofindia

@timesofindia

2021-06-23

Given that horror is the flavour of the season in Tamil cinema, it is no wonder that we are beginning to get every sort of horror film. But what everyone seems to be conveniently ignoring is the fact that not everyone can make a truly scary ghost movie. Yoogan is a low-budget horror movie like Pizza, but while the latter had attitude and ingenuity, this one is just a compendium of horror movie cliches — unusual camera angles, noises in the night, jump scares, a ghost who the makers want us to take as seriously as the one in Grudge but whose very appearance only recalls the funny ghost in Scary Movie 3, a dull backstory for the ghost targeting these youngsters — that we are hardly scared. Even the dramatic portion, which is set against the backdrop of an IT company, seem like cliches involving people working in the IT industry (they hardly work at office, they drink, they date endlessly, they lack morals). And the modest budget is evident in the visuals, which have a TV serial quality to them, while the acting resembles what we might find in student films. That the director wants to scare us with the camera angles and sound design instead of resorting to cheap VFX is understandable — and even commendable — but things turn monotonous after the first couple of scenes as he has just one scare trick up his sleeve. Even the revelation in the final portions fails to generate any excitement.