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DramaRomance

The Loves of Carmen

- A story of beauty and savagery...love and hate...splendor and shame...

Gypsy Carmen drives men wild in 1820s Spain, especially the dragoon Don Jose.

Release Date : 1948-08-23

Language :English

Adult : false

Status : Released

Production Company : Columbia PicturesThe Beckworth Corporation

Production Country : United States of America

Alternative Titles :

Cast

Rita Hayworth

Character Name : Carmen

Original Name : Rita Hayworth

Gender : Female

Glenn Ford

Character Name : Don José

Original Name : Glenn Ford

Gender : Male

Ron Randell

Character Name : Andrés

Original Name : Ron Randell

Gender : Male

Victor Jory

Character Name : García

Original Name : Victor Jory

Gender : Male

Luther Adler

Character Name : Dancaire

Original Name : Luther Adler

Gender : Male

Arnold Moss

Character Name : Colonel

Original Name : Arnold Moss

Gender : Male

Joseph Buloff

Character Name : Remendado

Original Name : Joseph Buloff

Gender : Male

Margaret Wycherly

Character Name : Old Crone

Original Name : Margaret Wycherly

Gender : Female

Bernard Nedell

Character Name : Pablo

Original Name : Bernard Nedell

Gender : Male

John Baragrey

Character Name : Lucas

Original Name : John Baragrey

Gender : Male

Reviews

C

CinemaSerf

@Geronimo1967

2022-12-27

Glenn Ford is "Lizarabengoa", a rather respectable soldier who joins his new regiment in Córdoba. He is quickly introduced to the sultry charms of local gypsy "Carmen" (Rita Hayworth) which sets him against his colonel (Arnold Moss) and after a bit of swordplay, he finds himself joining her and the gang of petty banditos led by "Garcia" (Victor Jory) with whom he vies for her affections. "Carmen" isn't exactly a one-woman-man though, and is also keen on local toreador "Lucas" (John Baragrey) and the scenario starts to fulminate when our gallant officer must try to reclaim her love whilst dealing with the jealous "Garcia" and the pursuing soldiers chasing the killer of their commanding officer. Hayward is well off her best here - even when she is dancing. In fact, the whole story could hardly be farther from anything imagined by Georges Bizet. Is there chemistry between the two or do we just want there to be because they were off-screen lovers, apparently? Well I couldn't say - Ford was always little better than a rather static, safe pair of hands, and I think both roles here called for someone grittier, more natural and visceral. The production is fine, but after the first fifteen/twenty minutes it all turns a little too melodramatic for me.