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CrimeDramaThriller

Man in the Vault

- Forced Into Crime To Save The Girl He Loved!

A locksmith is pressured into crime when the mob makes him perform an elaborate bank robbery.

Release Date : 1956-12-12

Language :English

Adult : false

Status : Released

Production Company : Batjac Productions

Production Country : United States of America

Alternative Titles :

Cast

William Campbell

Character Name : Tommy Dancer

Original Name : William Campbell

Gender : Male

Karen Sharpe

Character Name : Betty Turner

Original Name : Karen Sharpe

Gender : Female

Anita Ekberg

Character Name : Flo Randall

Original Name : Anita Ekberg

Gender : Female

Berry Kroeger

Character Name : Willis Trent

Original Name : Berry Kroeger

Gender : Male

Paul Fix

Character Name : Herbie

Original Name : Paul Fix

Gender : Male

James Seay

Character Name : Paul De Camp

Original Name : James Seay

Gender : Male

Mike Mazurki

Character Name : Louie

Original Name : Mike Mazurki

Gender : Male

Robert Keys

Character Name : Earl Farraday

Original Name : Robert Keys

Gender : Male

Nancy Duke

Character Name : Trent's Girl Friend

Original Name : Nancy Duke

Gender : Male

Pedro Gonzalez Gonzalez

Character Name : Pedro

Original Name : Pedro Gonzalez Gonzalez

Gender : Male

Vivianne Lloyd

Character Name : Singer

Original Name : Vivianne Lloyd

Gender : Male

Reviews

J

John Chard

@John Chard

2024-05-16

Bowling for deposit boxes. Adapted by Burt Kennedy from the Frank Gruber novel, The Lock and the Key, Man in the Vault is a minor 50s crime flick that has somehow been lumped into the film noir encyclopedias. Andrew V. McLaglen directs and William Campbell, Karen Sharpe, Anita Ekberg and Berry Kroeger star. Story has Campbell as a locksmith who gets coerced into a deposit box theft just as Sharpe turns his head romantically. Amazingly, nothing much happens, there's a lot of talking and pouting, Campbell's teddy-boy quiff always holds court, while Kroeger tries to eat all the indoor scenery. William H. Clothier is utterly wasted on photography, only really getting to use his skills when the story enters out onto the real L.A. locations; which are actually the film's only saving grace. OK! The deposit box sequence has a modicum of suspense, the mystery element as Campbell tries to fathom out what's going on also works, but come the weak and cop-out finale you may well wish you had done the gardening instead. 5/10