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Drama

The Cheat

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A venal, spoiled stockbroker's wife impulsively embezzles $10,000 from the charity she chairs and desperately turns to a Burmese ivory trader to replace the stolen money.

Release Date : 1915-12-13

Language :No Language

Adult : false

Status : Released

Production Company : Jesse L. Lasky Feature Play CompanyParamount Pictures

Production Country : United States of America

Alternative Titles :

Cast

Fannie Ward

Character Name : Edith Hardy

Original Name : Fannie Ward

Gender : Female

Sessue Hayakawa

Character Name : Hishuru Tori [Haka Arakau]

Original Name : Sessue Hayakawa

Gender : Male

Jack Dean

Character Name : Richard Hardy

Original Name : Jack Dean

Gender : Male

James Neill

Character Name : Jones

Original Name : James Neill

Gender : Male

Yutaka Abe

Character Name : Tori's valet

Original Name : 阿部豊

Gender : Male

Dana Ong

Character Name : District attorney

Original Name : Dana Ong

Gender : Male

Hazel Childers

Character Name : Mrs. Reynolds

Original Name : Hazel Childers

Gender : Male

Arthur H. Williams

Character Name : Courtroom judge

Original Name : Arthur H. Williams

Gender : Male

Dick La Reno

Character Name : Courtroom Spectator (uncredited)

Original Name : Dick La Reno

Gender : Male

Lucien Littlefield

Character Name : Hardy's Secretary (uncredited)

Original Name : Lucien Littlefield

Gender : Male

Raymond Hatton

Character Name : Courtroom Spectator (uncredited)

Original Name : Raymond Hatton

Gender : Male

Reviews

C

CinemaSerf

@Geronimo1967

2022-06-06

Vaudevillian Fannie Ward made her cinematic debut here as "Edith", a rather shallow woman married to Jack Dean ("Richard"), a stockbroker. She lives for life's fripperies, and when he starts bemoaning the amounts of money she is frittering away on luxuries, she decides to procure some cash of her own by embezzling $10,000 from a charity she runs. Desperate to return the money, she turns to the distinctly shady Burmese ivory trader "Hishiru Tori" (Sessue Hayakawa) who offers her a deal - but at an horrible price... It has a very theatrical style to it, this production, but that's not a bad thing. It helps us to focus on the characters - with Ward, and particularly the sinister "Tori" - working well to create the atmospheric, shadowy - almost menacing, look of the film. The use of light and shade is also used to good effect for that purpose too, and although the ending runs a bit to melodrama, this story of avarice and repentance is certainly worth an hour of anyone's time.