FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/bullet-train-spoiler-free-review "Bullet Train employs David Leitch's maximalist style in a purposefully silly narrative driven by frenetic action and distinct humor. Although it doesn't stray from the familiar formulas and doesn't leave viewers blown away by never-before-seen action sequences, the execution of all the intended cinematic moments is more than satisfying, resulting in a couple of hours full of entertainment. The exceptional cast is worth the ticket, and every second with Aaron Taylor-Johnson and Brian Tyree Henry is genuinely hilarious. Brad Pitt shines as well. Despite visual effects, script, and character development all traveling in economy class, it would be a "crime" not to recommend this trip." Rating: B

“Snatch” On A Train It should not be a coincidence that Bullet Train and the movie Snatch both feature Brad Pitt. This kind of offbeat storytelling appeals to Pitt. I get a flashback of Pitt in “Twelve Monkeys”, embracing the lunacy. One might also see Tarantino in the storytelling as well. Most of the critics get it right though, the execution is a little flat. What works however are the montages of the other assassins and their backstory. The entire production, and I mean every single shot, feels like it is from a graphic novel. Careful attention to glowing backlights from buttons or tv screens or fancy lighting in general makes this bristle with Japanese cityscape. In fact every shot of the Bullet train that goes from Tokyo to Kyoto (which I have taken myself) shows it as (CGI) cityscape. So the slick feel is done by using cutaway shots of the bullet train never leaving the city (believe it our not in reality the train does go through some countryside) as a punch point as some stunning event happens with the plot. So this is a thriller, and it tries to throw in some whodunnit of who killed who. It also adds tension as our protagonist does not know he is in possible danger while the audience has been clued in. I like the attempt to go against stereotypes with our main characters. That includes the rich adolescent daughter. Dressed innocently, she actually has a cold heart. As for Brad Pitt, he is a little too “this all for fun”, and becomes a little too relaxed in a movie star going through the motions kind of way. Which I guarantee is not what Pitt is actually doing. I think he takes any role seriously and is acting out his character to the fullest. It's just that his character feels a but thin here. I felt the movie started off on the wrong foot with the banter between Pitt and his handler. As an editor, I would trusted the audience to let Pitt enter the story without the on the nose exposition. I also think that a slightly more serious tone would not make the gratuitous violence feel so comic book. Therein lies the reason this movie exists in the first place, John Wick. Audiences are expecting creative action sequences, and there are many set pieces that take advantage of being stuck on a train. Two other main characters are a lower class set of English assassins, straight from “Snatch”. That movie depicted a good number of lower class criminals in England speaking goofy dialogue and taking part in some Three Stooges style of mishaps. The duo here spend the entire movie bickering, finding their personal problems more interesting than our caper. I felt their schtick was pushed (their names are Tangerine and Lemon), and the expected humour didn't really connect with the audience. Which is too bad, because they are essentially the main characters, probably getting more screen time than Pitt. The Japan setting worked very well, although I expect that none of the film was actually shot in Japan, except maybe one of the early establishing shots. The stylish production design necessitated lots of embellishments to the slick backgrounds that the real world can't match. That's OK, I appreciated how cool the movie looked as this convoluted world of Japanese but not Japanese criminals go after the Macguffin. That is, although this a Japanese crime movie, many of the key characters are not Japanese. As for the action scenes, they are serviceable with a mix of weapons and hand to hand fighting. However there is an annoying habit of victims dying and not dying. Those type of one twist too many issues prevent this movie from being a James Bond kind of generic thriller that delivers the goods. I just recently saw “Gray Man”, and took note that although the story had nothing original to say, it stayed to it's core action tenets and didn't try to confuse the audience with any real twists. So even though both of these films are losers for the critics, there still is a level of roller coaster ride mentality that makes a well made action yarn enjoyable. So I enjoyed this more than those recent lazy Fast and Furious films, but found the story too convoluted, even more than “Gray Man”. 6 out of 10.

I first got an extended look at “Bullet Train” during Cinemacon when a reel of the film was shown during the Sony showcase to an enthusiastic crowd. The footage mixed action and humor with quirky and dysfunctional characters and became a must-see film for me based on the teased footage. The film is based on a book by Kotaro Isaka and stars Brad Pitt as an operative named Ladybug. He is called at the last minute as a replacement and given instructions to board a Bullet Train and snatch a case in one of the passenger areas before exiting at the next station. Having gone through a recent crisis, Ladybug is awash in various philosophical and new age ideas as he attempts to find his inner peace and a new path in life, as such he does not take a gun with him when he boards despite being instructed to do so by his handler. The train is filled with various killers and dangerous people who are there to accomplish various goals and most of whom fail frequently in violent and hysterical manners which further complicate their agendas as well as that of the others and often puts them into conflict with one another as the story unfolds. It would be difficult to go into further detail on the various characters without spoiling some of the reveals and twists along the way but suffice it to say that Aaron Taylor-Johnson and Brian Tyree Henry as Tangerine and Lemon are great and their banter, as well as capers, is a frequent highlight. There are some surprise cameos in the film which add to the fun and Joey King is as great as perhaps one of the more complicated characters in the film. Pitt is clearly the star but the film allows him as well as his supporting cast plenty of moments to shine and the humor flies fast and frequent as does the action which creates a very engaging and stylistic hybrid of western and Asian cinema. The film does drag slightly late before leading to the finale but thanks to the great cast and action it comes through in the end. Director David Leitch has worked on films such as “Deadpool 2”, “Atomic Blonde”, and “John Wick: and you can see that he has a knack for directing action and comedy as this is a very fun and engaging film that has some great action and humor and one that you will not want to miss. 4 stars out of 5.

Brad Pitt is "Ladybug" - a now zen-like, semi-retired, hitman brought out of retirement to appropriate a suitcase from a train. Easy enough task, you might think - especially as he obtains it relatively easily. It then transpires, though, that there is much more afoot. Also on the train are the two guys who own the suitcase - "Lemon" (Brian Tyree Henry) and his twin "Tangerine" (Aaron Taylor-Johnson) who have been tasked with rescuing the recently kidnapped son of the legendary "White Death" crime lord and his ransom (in the suitcase). When the pair discover that their loot has gone missing and that their charge has developed a rather nasty habit of bleeding from the eyes, they have to keep their suspicious employer at bay and find their luggage whilst this high-speed train hurtles from Tokyo to Kyoto. Add to the mix the slightly enigmatic "Prince" (Joey King) - outwardly a charming, butter-wouldn't-melt, schoolgirl type, but really a gal who is also up to something with the rather hapless "Kimura" (Andrew Kohi) whose son she had recently pushed from a roof and, well... Yes, the plot is pretty convoluted at the start but with a monologue style narrative well delivered by an on-form Pitt, and an engaging repartee between the 'Thomas the Tank Engine" obsessed "Lemon" and his spiritual brother, this actually makes for quite a decent action adventure. It is way too long - it could comfortably shave twenty minutes from the character establishment phase, but the script is quickly paced and sometimes quite clever and there are plenty of action scenes that are fun to watch and don't take too long. It has shades of "Pulp Fiction" (1994) I thought - multiple characters with entertaining storylines that gradually involve and synergise all the characters. The ending isn't the best, and perhaps one might wonder about the complete lack of security not just on the train but at just about every station between the two cities. Carnage ensues pretty readily but no sign of a blue light. It's fun, throwaway, entertainment that follows on from "The Lost City" in which Sandra Bullock and Channing Tatum allow Pitt the supporting role that he allows to both of them - and a tiny but of Ryan Reynolds too, if you are eagle-eyed, here. It's factory fodder, and you won't remember it by Christmas - but it's still nice to see some folks having fun on a big screen with no pretence whatsoever.

**Bullet Train combines all the action, expertise, and stunt work of John Wick with the pacing, goofiness, and fun of Hot Fuzz.** High energy, vibrant colors, funny characters, and excellent action fuel Bullet Train to take its audience on a wild and entertaining ride. Each character is larger than life and outrageous, but all fit perfectly in this vivid and comical world. Bullet Train feels like Edgar Wright’s version of John Wick - all the action is there, but so are all the comedy and quirky characters. Brad Pitt’s prowess as an actor shines as his ridiculous peace-loving assassin blunders through the film but never crosses the line into cliche or too much. Brian Tyree Henry’s Lemon is the most entertaining out of a cast of enthusiastic over-the-top characters that will have you laughing from the first second til the credits roll. Funny cameos and great action punctuate this already fun and colorful film. Bullet Train is a fun watch, but some poor visual effects distract from the ending and keep the rating from being higher. Even with its few faults, Bullet Train is a goofy, dynamic, and bright action flick that invents a fun world I wouldn’t mind exploring in future films.

A well-timed, funny, action packed train ride, I was not bored for a single second of this film.

This was a fund movie indeed, and quite woke-free at that. The fact that the woke crap site Rotten Tomatoes has marked it as rotten (despite it having more than 50% positive critics reviews) was a good sign of course. It is an action/comedy about an unbelievably unlucky (and a bit stupid) assassin played by Brad Pitt. The movie mixes action, comedy, a bit of suspense and a fair amount of gore in a quite enjoyable package. The movie balances the comedy bits right on the line where it would turn silly and cringe-worthy but there was really only one place where I went “Oh no, what the f…?”. The action bits are overall quite good but this is Hollywood with their armada of clueless script writers so sometimes they get a bit ridiculous. Like being able to hang on to the outside of a bullet train while it speeds away. Although fairly unbelievable and over the top, the core story actually makes some sense but then, it was not written by some Hollywood hack but instead based on a novel. Overall it was a fun movie with a lot of laughs. The end twist with the tangerine truck was absolutely hilarious.

I see there are a LOT of reviews of Bullet Train here, so I will be brief. I usually only watch action movies if they contain a large element of humor and, if possible, an actor I like. So I gave Bullet Train a try. I figured Brad Pitt wouldn’t get involved with a totally awful film. So yes, it was humorous and often entertaining, with the comic book violence action films often seem to include, I guess because the audience demands it. I almost gave up on it halfway through, not because it was boring but just because the story seemed so shallow and the subplots didn’t grab me. But the film’s action moved along fast enough for me to stick with it. Like I said, it is entertaining in places and witty overall, though I can’t imagine ever watching it a second time.

**By: Louisa Moore / www.ScreenZealots.com** It takes a lot for a film to surprise me, and I love it when one does. “Bullet Train” is chocked full of so much stylish, bloody, violent fun that it reminds me why I love movies in the first place. Director David Leitch brings a confident, creative vision to his Guy Ritchie-meets-Gareth Evans-meets Matthew Vaughn-meets Quentin Tarantino style that’s rambunctious, frenzied, and in your face. While some will detest this sort of mayhem, many fans of the genre will join me in enthusiastically screaming, “shoot this into my veins!“ Unlucky assassin Ladybug (Brad Pitt) is tired of the brutality. He’s back for another job, but has pledged to work peacefully and without a weapon. Ladybug has been tasked with retrieving a silver briefcase from a high-speed train in Japan, which seems simple enough. Fate steps in, naturally, putting a damper on his well-intentioned plans. The train is filled with the most lethal adversaries (and one deadly snake) from around the globe, and they all want the same thing. Chaos ensues in what may be a literal last man standing scenario. Based on the book by Kôtarô Isaka, the film takes place almost solely onboard a train, but it never feels claustrophobic. Despite tight close-ups and many dialogue-heavy scenes with questionable writing, the cast (including Joey King, Andrew Koji, Michael Shannon, and Hiroyuki Sanada) keeps things engaging. Brian Tyree Henry and Aaron Taylor-Johnson as a pair of professional criminals are particularly entertaining, and Pitt exercises his movie star chops with great aplomb. The storytelling is terrific (one of my favorite bits is the tale of Wolf, which is wonderfully executed), even if everything doesn’t quite come together as well as it could. This is also a gorgeous looking film. Jonathan Sela‘s colorful cinematography is alluring, with a richness that elevates every scene. Leitch is skilled at directing action scenes that are thrilling, and fights that are well choreographed. Even the CGI is exciting. The film reaches just the right balance between action, violence, and humor, and it’s one that I cannot wait to revisit. From the killer soundtrack to the rapid-fire visual storytelling, there’s a lot going on at all times. If you’re not paying attention, you’re guaranteed to miss something. I feel this one could benefit from subsequent viewings. Plus, it’s been a long time since I’ve wanted to rush back to re-watch a movie the second it ended. “Bullet Train” is a film that will prove to be an acquired taste. It’s the type of movie that you’ll either love or loathe, with very few landing somewhere in between. It’s illogical, confrontational, and it’s sometimes evident that the film trying too hard, but I found it easy to overlook the flaws because it’s just so damn entertaining. Talk about a nonstop thrill ride.