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DramaCrimeWestern

The Outrage

- Was It an Act of Violence or an Act of Love?

At a disused railway station, three men -- a con artist, a preacher, and a prospector -- discuss the recent trial and sentencing of the outlaw Juan Carrasco for the murder of a man and the rape of his wife. In their recounting, the three explore the conflicting testimonies of the parties involved in the crimes. Disconcerting new questions arise with each different version of the event.

Release Date : 1964-10-07

Language :English

Adult : false

Status : Released

Production Company : Martin Ritt ProductionsMetro-Goldwyn-Mayer

Production Country : United States of America

Alternative Titles :

Cast

Paul Newman

Character Name : Juan Carrasco

Original Name : Paul Newman

Gender : Male

Laurence Harvey

Character Name : Husband

Original Name : Laurence Harvey

Gender : Male

Claire Bloom

Character Name : Wife

Original Name : Claire Bloom

Gender : Female

Edward G. Robinson

Character Name : Con Man

Original Name : Edward G. Robinson

Gender : Male

William Shatner

Character Name : Preacher

Original Name : William Shatner

Gender : Male

Howard Da Silva

Character Name : Prospector

Original Name : Howard Da Silva

Gender : Male

Albert Salmi

Character Name : Sheriff

Original Name : Albert Salmi

Gender : Male

Thomas Chalmers

Character Name : Judge

Original Name : Thomas Chalmers

Gender : Male

Paul Fix

Character Name : Indian

Original Name : Paul Fix

Gender : Male

Jeffrey Darwin Bowman

Character Name : Baby

Original Name : Jeffrey Darwin Bowman

Gender : Male

Reviews

J

John Chard

@John Chard

2024-05-16

Enigmatic remake making waves in some cinephiles quarters. Directed by Martin Ritt, The Outrage is a remake of the 1950 Akira Kurosawa film Rashomon, that in turn is based on stories by Ryƫnosuke Akutagawa, but Ritt has reformulated it in a Western setting. It stars Edward G. Robinson, Paul Newman, Laurence Harvey, Claire Bloom, Howard Da Silva & William Shatner. The story remains the same as four people give contradictory accounts of a rape and murder during the trial of Mexican bandit Juan Carrasco (Newman). The story is told within a flashback framework of three men waiting for a train at a rain soaked Southwestern station; a prospector (Da Silva), a con man (Robinson) and a preacher now struggling with his faith in humanity (Shatner). As each story is told the validity of each account comes under scrutiny, could it be there was a gross miscarriage of justice at the trial? Perhaps unsurprisingly, this remake of a well regarded classic was a commercial flop, with many front line critics particularly savage in their reviews. Which while acknowledging it's a long way away from style and tone of Kurosawa's movie, it's hardly the devil's spawn either. Solidly constructed by Ritt and potently shot in black & white by James Wong Howe (vistas however are in short supply), the story is strong enough to make for an interesting social conscious Oater. There's some misplaced humour in the final third, and a charge of overacting from the talented cast is fair enough (especially Bloom), but maybe, just maybe, Ritt and his team deserve a little leeway for trying a different approach? I mean at least it's not a shot for shot remake eh? Certainly Newman could never be accused of not being bold or daring with his role selections, one only has to look at his Western films to see that. Especially the three he did with Ritt: Hud (1963), The Outrage (1964) & Hombre (1967), three very different roles, and each of a different ethnicity too. Throw in his intense turn as Billy The Kid in Arthur Penn's The Left Handed Gun, and it makes a mockery of those people who pop up from time to time proclaiming Newman had limited range! Is he miscast as Bandido Carrasco in The Outrage? No not really, he throws himself into the role and without prior knowledge of whose under the hat, it's not overtly evident it's the great blue eyed man performing. Sure a Mexican actor would have been better for the role, and definitely Rashomon wasn't in need of a remake. But for Western fans, and especially for fans of Newman, The Outrage still has enough to warrant spending money on a pie and a pint of beer to watch with it. Not particularly great, but not exactly bad either. 6.5/10