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DramaFantasy

Orlando

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England, 1600. Queen Elizabeth I promises Orlando, a young nobleman obsessed with poetry, that she will grant him land and fortune if he agrees to satisfy a very particular request.

Release Date : 1992-12-11

Language :EnglishFrenchRussianTurkish

Adult : false

Status : Released

Production Company : Mikado FilmAdventure PicturesRioSigma PicturesLenfilm

Production Country : FranceItalyNetherlandsRussiaUnited Kingdom

Alternative Titles :

Cast

Tilda Swinton

Character Name : Orlando

Original Name : Tilda Swinton

Gender : Female

Billy Zane

Character Name : Shelmerdine

Original Name : Billy Zane

Gender : Male

Lothaire Bluteau

Character Name : The Khan

Original Name : Lothaire Bluteau

Gender : Male

John Wood

Character Name : Archduke Harry

Original Name : John Wood

Gender : Male

Charlotte Valandrey

Character Name : Sasha

Original Name : Charlotte Valandrey

Gender : Female

Heathcote Williams

Character Name : Nick Greene / Publisher

Original Name : Heathcote Williams

Gender : Male

Quentin Crisp

Character Name : Queen Elizabeth I

Original Name : Quentin Crisp

Gender : Male

Peter Eyre

Character Name : Mr. Pope

Original Name : Peter Eyre

Gender : Male

Thom Hoffman

Character Name : King William of Orange

Original Name : Thom Hoffman

Gender : Male

Kathryn Hunter

Character Name : Countess

Original Name : Kathryn Hunter

Gender : Female

Ned Sherrin

Character Name : Mr. Addison

Original Name : Ned Sherrin

Gender : Male

Jimmy Somerville

Character Name : Singer / Angel

Original Name : Jimmy Somerville

Gender : Male

Dudley Sutton

Character Name : King James I

Original Name : Dudley Sutton

Gender : Male

John Bott

Character Name : Orlando's Father

Original Name : John Bott

Gender : Male

Elaine Banham

Character Name : Orlando's Mother

Original Name : Elaine Banham

Gender : Male

Anna Farnworth

Character Name : Clorinda

Original Name : Anna Farnworth

Gender : Male

Sara Mair-Thomas

Character Name : Favilla

Original Name : Sara Mair-Thomas

Gender : Female

Anna Healy

Character Name : Euphrosyne

Original Name : Anna Healy

Gender : Male

Simon Russell Beale

Character Name : Earl of Moray

Original Name : Simon Russell Beale

Gender : Male

Matthew Sim

Character Name : Lord Francis Vere

Original Name : Matthew Sim

Gender : Male

Jerome Willis

Character Name : Translator

Original Name : Jerome Willis

Gender : Male

Viktor Stepanov

Character Name : Russian Ambassador

Original Name : Виктор Степанов

Gender : Male

Mary MacLeod

Character Name : First Woman

Original Name : Mary MacLeod

Gender : Female

Barbara Hicks

Character Name : Second Woman

Original Name : Barbara Hicks

Gender : Female

Alexander Medvedev

Character Name : Russian Sailor

Original Name : Alexander Medvedev

Gender : Male

Toby Stephens

Character Name : Othello

Original Name : Toby Stephens

Gender : Male

Oleg Pogodin

Character Name : Desdemona

Original Name : Oleg Pogodin

Gender : Male

George Antoni

Character Name : First Valet

Original Name : George Antoni

Gender : Male

Toby Jones

Character Name : Second Valet

Original Name : Toby Jones

Gender : Male

Robert Demeger

Character Name : Third Valet

Original Name : Robert Demeger

Gender : Male

Lol Coxhill

Character Name : Butler

Original Name : Lol Coxhill

Gender : Male

Thom Osborn

Character Name : Doctor

Original Name : Thom Osborn

Gender : Male

Giles Taylor

Character Name : Singing Valet

Original Name : Giles Taylor

Gender : Male

Sarah Crowden

Character Name : Queen Mary

Original Name : Sarah Crowden

Gender : Female

Hugh Munro

Character Name : Second Butler

Original Name : Hugh Munro

Gender : Male

Peter Hayward

Character Name : Harpsichordist

Original Name : Peter Hayward

Gender : Male

Andrew Watts

Character Name : Counter Tenor

Original Name : Andrew Watts

Gender : Male

Roger Hammond

Character Name : Mr. Swift

Original Name : Roger Hammond

Gender : Male

Cyril Lecomte

Character Name : Young Man

Original Name : Cyril Lecomte

Gender : Male

Olivia Lancelot

Character Name : Young Woman

Original Name : Olivia Lancelot

Gender : Female

John Grillo

Character Name : First Official

Original Name : John Grillo

Gender : Male

Martin Wimbush

Character Name : Second Official

Original Name : Martin Wimbush

Gender : Male

Terence Soall

Character Name : Third Butler

Original Name : Terence Soall

Gender : Male

Jessica Swinton

Character Name : Orlando's Daughter

Original Name : Jessica Swinton

Gender : Male

Reviews

F

Filipe Manuel Neto

@FilipeManuelNeto

2022-09-29

**Based on a somewhat controversial novel, it tackles gender issues and other deep subjects quite well.** “Orlando” is perhaps one of the most interesting and controversial novels by the equally controversial Virginia Woolf. The details of this writer's life are known: the sexual abuse she suffered in childhood, the depressive crises, the existential doubts she experienced all her life, her bisexuality. And “Orlando” was born in this context: it is the result of the relationship between Woolf and Victoria Sackville West, an aristocrat who maintained an open marriage, in which she could live her sexuality with other women. To what extent have Victoria or the author herself, at certain moments, not wanted or fantasized about an eventual sex change? I don't know, however, I assume that Woolf's novel may be one of the first literary works to explore the possibility of transsexuality. The film doesn't do much more than transport Woolf's words to the screen, recreating a story where a young androgynous English aristocrat of the Elizabethan court, Lord Orlando, finds himself the object of the affection of the old queen, who gives him various goods and perks. on condition that he can never grow old or die, which actually happens! Thus, “blessed” (the eventual negative consequences are never addressed) in this way, Orlando crosses the centuries without aging a day, lives in love and gets to know other countries. At one point, he is possessed by a sleep he cannot wake up from, and when he finally wakes up, he has mysteriously become a woman, and spends the next two hundred years proving that not only did he never die, he changed sex. And the years go by, with the film ending in our days. The film is responsible for boosting the film career of Tilda Swinton, a British actress who, even before making this film, was already pursuing a somewhat androgynous aesthetic look, perhaps due to having spent her childhood as the only girl among several male brothers. . The truth is that the film contributed decisively to the actress's career. She dominates the film and gives us a superb performance. John Wood and Quentin Crisp also do great value work. Technically, what stands out the most about this film is the cinematography, very careful and beautiful, and the smooth but consistent pace of a film that can take a while to convince viewers, but manages to do it and keeps our attention until at end. Filmed largely on British soil, it makes good use of various aristocratic houses as part of its set, and all the costumes, for each historical era, were really well done.

C

CinemaSerf

@Geronimo1967

2022-10-21

Tilda Swinton is superb in this story of the eponymous Tudor noble who obeys a command from the enamoured Queen Elizabeth (Quentin Crisp) and refuses to grow old. The film now follows the adventures, loves and ultimately depicts how the character adapts - quite literally - as England becomes Britain and eventually he becomes free! The experiences as an ambassador in the middle east, the determination to retain the family property when the authorities begin to smell a rat, the arrival of a child - all build upon this wonderfully enigmatic Virginia Woolf creation that defies typical analysis. This is story of humanity and of it's own reluctance to embrace meaningful change as events and the environment relentlessly changes around it. Historical figures from Othello to King James I appear throughout this quirkily engaging chronology that is colourful, vibrant and enjoyably imaginative with this particular adaptation taking a little liberty with the book by extending the timeline into the more modern era. Whilst "Orlando" may evolve with some Hermaphroditic characteristics, they serve as a conduit to this story and are not overtly central to the action. It's that very gender ambiguity that becomes gradually better defined as if the immortal is emerging from a fog - and Sally Potter keeps that remarkably well focused for the ninety minutes of screen time we are presented with here. It is an hard film to evaluate, it may or will mean many different things to many different people, and that's what makes it very watchable indeed.