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Drama

Carmen

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Hot-blooded gypsy Carmen attempts to seduce Don Jose, a lawman sent to thwart a gang of illegal smugglers in Spain. Carmen's plan backfires when Don Jose's passion for the gypsy girl escalates into a jealous rage as she spurns him for her bullfighter beau, Escamillo, with tragic results.

Release Date : 1915-10-31

Language :No Language

Adult : false

Status : Released

Production Company : Jesse L. Lasky Feature Play Company

Production Country : United States of America

Alternative Titles :

Cast

Geraldine Farrar

Character Name : Carmen

Original Name : Geraldine Farrar

Gender : Female

Wallace Reid

Character Name : Don Jose

Original Name : Wallace Reid

Gender : Male

Pedro de Cordoba

Character Name : Escamillo

Original Name : Pedro de Cordoba

Gender : Male

Horace B. Carpenter

Character Name : Pastia

Original Name : Horace B. Carpenter

Gender : Male

William Elmer

Character Name : Morales

Original Name : William Elmer

Gender : Male

Jeanie Macpherson

Character Name : Gypsy Girl

Original Name : Jeanie Macpherson

Gender : Female

Anita King

Character Name : Gypsy Girl

Original Name : Anita King

Gender : Female

Milton Brown

Character Name : Garcia

Original Name : Milton Brown

Gender : Male

Raymond Hatton

Character Name : Spectator at Bullfight (Uncredited)

Original Name : Raymond Hatton

Gender : Male

Reviews

C

CinemaSerf

@Geronimo1967

2022-06-06

If anyone is ever looking for an introduction to opera - then they could do much, much worse than this abridged version of Bizet's "Carmen". Telling the story of the anonymous temptress (Geraldine Farrar) who helps her smuggling friends by seducing the erstwhile incorruptible "Don José" (Wallace Reid) so they can continue to ply their trade. Soon, the poor captain is ensnared in her trap and when he kills his brother to help her, finds himself in the soup, so to speak. Whilst the detail of the story is largely lost here, the gist remains and the performances from the truly world class soprano Farrar and from Reid do their job fine. The design of the production is also quite effective: it hasn't the static look of so many of these early stage-to-screen adaptations - especially around the torero scenes - and, of course, it has the wonderful score to underpin it. The inter-titles are sparing - we get most of the plot from their expressions and the music, and that largely works well too. It is a bit clunky at times, the big crowd scenes are a bit confusing but the cat-fight is quite fun and it offers enough of a soupçon of the original, quite visceral, story to make it well worth watching.