/xhrIY16rl83Hb8k8nmqdn6ttKfO.jpg
MusicComedyHistory

Centennial Summer

-

In 1876 Philadelphia, two sisters vie for the affections of a Frenchman who's come to town to prepare the French pavilion for the Centennial exposition.

Release Date : 1946-07-10

Language :English

Adult : false

Status : Released

Production Company : 20th Century Fox

Production Country : United States of America

Alternative Titles :

Cast

Jeanne Crain

Character Name : Julia Rogers

Original Name : Jeanne Crain

Gender : Female

Cornel Wilde

Character Name : Philippe Lascalles

Original Name : Cornel Wilde

Gender : Male

Linda Darnell

Character Name : Edith Rogers

Original Name : Linda Darnell

Gender : Female

William Eythe

Character Name : Ben Phelps

Original Name : William Eythe

Gender : Male

Walter Brennan

Character Name : Jesse Rogers

Original Name : Walter Brennan

Gender : Male

Constance Bennett

Character Name : Zenia Lascalles

Original Name : Constance Bennett

Gender : Female

Dorothy Gish

Character Name : Mrs. Rogers

Original Name : Dorothy Gish

Gender : Female

Barbara Whiting

Character Name : Susanna Rogers

Original Name : Barbara Whiting

Gender : Female

Kathleen Howard

Character Name : Deborah

Original Name : Kathleen Howard

Gender : Female

Buddy Swan

Character Name : Dudley Rogers

Original Name : Buddy Swan

Gender : Male

Paul Everton

Character Name : Senator (uncredited)

Original Name : Paul Everton

Gender : Male

Reviews

C

CinemaSerf

@Geronimo1967

2022-07-07

Right from the outset, this film mis-fires. Walter Brennan comes across as a fish out of water and Cornel Wilde, with his rather ropey French accent, just doesn't work at all well, either. The latter man, having just arrived in Philadelphia from France for the US Centennial Exposition, soon becomes the object of the affections of two sisters - Jeanne Craine ("Julie") and Linda Darnell ("Edith"). Which of them will win his affections? The problem with this film is that, though colourful - there is absolutely no chemistry anywhere to be seen. The songs from Jerome Kern are pleasant enough, but there is no showstopper - and the singing, well those are either ensemble efforts or solos from actors who, frankly, aren't very good singers. The execution of the story is not without the odd bit of humour, but the presentation looks frequently quite stagey with plenty of set piece choreography that, again, might have looked fine in a theatre but is somehow rather dated and stilted on a big screen. It is watchable, and Darnell steals the show, if anyone does, but I struggled with this rather procedural and stilted melodrama.